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Overloud Plugins Pack 2015.01.17 For Win and OSX

2个月前更新

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厂商 Overloud
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大小 454M
语言 英语
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软件详细
Overloud.BREVERB.2.v2.1.8
Overloud.BREVERB.2.v2.1.8.MacOSX
Overloud.Mark.Studio.2.v2.0.10
Overloud.Mark.Studio.2.v2.0.10.MacOSX
Overloud.REmatrix.v1.0.9
Overloud.REmatrix.v1.0.9.MacOSX
Overloud.TH2.v2.2.18
Overloud.TH2.v2.2.18.MacOSX
 
Overloud.BREVERB
Think of your ideal studio...
Of course, it would have all of the best reverb units used by the most famous engineers:
a classic white '80s unit with its smooth and creamy tone that has been used on thousands of famous hits;
a modern reverb unit with crisp and punchy tone, to forge your own unique sounding room;
a dedicated post-production unit and thousands of ready-to-use presets created by some of the most respected people in the music and film industry to speed up your workflow.
 
Or... think of BREVERB 2
Get that €20,000 sound, all in a single plug-in, for less than €200!
BREVERB 2 makes your mixes sound like a Grammy Award winning song.
 
Features at a glance
-7 main Algorithms: Hall, Room, Plate, Inverse, Spaces small, Spaces large and Sources.
-Algorithms for any application: from mixing to post-production or from classic tones to modern and creative tones.
-More than 50 ambient spaces recreated.
-More than 270 factory presets, covering any kind of ambience or application, designed by top-notch sound engineers.
-Modeled after the most sought-after hardware units.
-Each algorithm is engineered with no compromises in the sound for maximum quality.
-Full EQ section to tailor the frequency response of the reverb.
-Extended Nonlinear section to creatively shape your reverberation.
-"Motion" parameters add liveness, musicality and the "air movement" of a real room.
-BREVERB 2 emulates the analog output section of the hardware unit, making BREVERB 2 truer to the sound of the originals.
-Two different user interface modes: a compact interface or a hardware-like interface.
-Six fully assignable and automatable hardware-like faders.
-Full automation through host sequencers.
-Multilevel undo/redo.
-Real-time MIDI control of any paramters through the six faders.
-No additional latency introduced!
-Extremely low CPU usage: 120 stereo instances can be opened on a Core 2 Duo 2.4 GHz MacBook Pro without any glitches or dropouts!
-Host-sync of all rates and times.
 
What's new in BREVERB 2
More than 50 new ambience settings...
With BREVERB 2 you have the sound of more than 50 new ambient spaces at your fingertips.
All ambience settings have been carefully crafted by Overloud engineers who referenced the preferred room and ambience choices of top sound designers.
They cover a wide range of applications from mixing to post-production, and many of them are optimized for a particular instrument, from drums to vocals to guitars etc.
Don't waste time flipping through dozens of different reverb plug-ins, looking for the right room sound. With BREVERB 2 you can find it in one click, with no compromises in sound quality.
 
New SPACES algorithms
SPACES algorithms are designed to meet the extremely high demands of audio professionals like you; today, as well as tomorrow.
Created to complete the BREVERB palette, the SPACES algorithms are tailored to the mixing needs of any modern recordings.
You are free to control up to 38 parameters to create your own unique room sound.
Or, if you are on a tight deadline, you can use our comprehensive library of presets, designed by top-notch sound engineers.
 
New preset management
The preset manager has been completely redesigned.
It has a dedicated area on the plugin interface, separate from the knob space, to have your sound library always handy.
you can easily create categories to organize your presets however you choose.
Import, export and share your presets with just one click.
With the multilevel undo/redo feature, you can keep track of the history of the changes you make to your settings.
 
New SOURCE algorithm
BREVERB 2 features a new SOURCE reverb algorithm.
With a simple click on the graphic interface you can set the 3D position of your sound sources and create life-like panoramas in your mix.
The SOURCE algorithm is the ideal tool for post-production.
You can separately design the early reflections and reverberant field, with full control over any parameter.
Through automation you can have real-time control of the position of the sound source and create apparent movement of the sound sources.
 
Apple System Compatibility
BREVERB 2 is available as AudioUnit, RTAS (Pro Tools), AAX64 (Pro Tools 10 and 11) and VST plugins, as well as a standalone application.
Both 32bit and 64bit are natively supported.
You can authorize BREVERB 2 on up to three computers that you own and one USB stick with a simple one-click software procedure (no hardware key needed).
 
Apple System Requirements
Macintosh® Intel Core Duo® 1.5GHz with 1Gb of RAM, 1024x768 screen.
Mac OS X 10.6 Snow Leopard and above are supported.
 
Windows System Requirements
Pentium® IV 1.5GHz / Athlon™XP 1.5GHz with 1Gb of RAM, 1024x768 screen.
Windows® XP, Windows® Vista, Windows® 7 and Windows® 8 are supported.
 
Windows System Compatibility
BREVERB 2 is available as VST, RTAS (Pro Tools) and AAX64 (Pro Tools 10 and 11) plugins, as well as a standalone application.
32bit and 64bit are natively supported.
You can authorize BREVERB 2 on up to three computers that you own and one USB stick with a simple one-click software procedure (no hardware key needed).
 
Overloud.Mark.Studio
What’s the smallest, most powerful bass amp in the world? The Mark Studio 2! This exciting software gives you 6 Markbass heads, 9 Markbass cabinets and a rich pedalboard to complete your rig and unleash your creativity.
 
The Mark Studio 2 plugin has been designed to faithfully simulate the sound of Markbass amplification in any DAW application or live situation.
No matter what kind of bass you use, the Mark Studio 2 plugin will always give you a very musical array of bass sound choices. It's an indispensable tool to anyone who records on a computer and wants to improve the sound of the bass either during or after recording.
 
Paolo Costa, bass player
Mark Studio 2 Product Manager
 
Key Features
-Six top-class Markbass amp models: TA501, R500, Classic 300, TTE500, Little Mark Tube and MoMark 
-Nine Markbass cabinets: STD 151HR (rear-ported 1x15"), STD 152HR (rear-ported 2x15"), STD 104HR (rear-ported 1x15"), STD 104HF (front-ported 4x10"), STD 106HF (front-ported 6x10"), Classic 108 (sealed 8x10"), Traveler 121H (front-ported 1x12"), New York 804 (front-ported 4x") and New York 122 (front-ported 2x12")
-Full pedalboard including: octave, envelope filter, bass chorus, distortion and compressor
-Choice of 6 microphones, plus a preset combination of 2 front microphones
-Faithful reproduction of every characteristic and nuance of Markbass amps and cabinets
-Ultra-flexible signal path makes it easy to balance the Direct (plugin) input, Line Out (amp direct Out) and Mic Output levels
 
 
... and more
-Each mic/cabinet combination has been recorded in a high-end studio by the best Italian sound engineers 
-More than one microphone can be used simultaneously: main (woofer), tweeter and, where applicable, rear bass reflex (port).
-Ultra Bass frequency control for extra-deep sound with one mouse click
-tons of factory presets designed by top engineers and Markbass artists
-Full MIDI support
-Very low CPU usage
-No additional latency
-Any parameter can be automated in the plugin version
 
Mark Studio 2 Models
TA501 500W Bass Head
The popular TA501 amp head helps to smooth out your sound with a high-quality onboard tube compressor, featuring a JJ Electronics ECC81 tube. Tone-wise, your sound is warmed up by the tube even when the compressor is off. It also includes foot-switchable mute-to-tune, an EQ bypass, ground lift to eliminate hum, exclusive Markbass' VLE (Vintage Loudspeaker Emulator) and VPF (Variable Pre-shape Filter) filters, and high-quality Neutrik Speakon Combo out jacks for use with 1/4" or Speakon speaker cables.
 
Classic 300 300W Tube Bass Head
The Markbass Classic 300 bass amp's heart beats with the power of JJ Electronics tubes--2 ECC83 preamp tubes, 2 ECC99 tubes, and 6 KT88 power tubes--which give you the warmth and fullness of the great old amps that are now aging or retired. A massive 300W of tube-driven power will handle just about any venue imaginable.
But times have changed, and this bass head comes with a brain: an onboard microprocessor re-biases your tubes every time you start up the Markbass Classic amp.
 
R500 500W Bass Head
The Markbass R500 is a bass amplifier head that will have you rocking out old-school, rocking hard, creating your own alternative rock, or shredding up the stage stealing the spotlight from your guitarists! The 500W analog R500 amp (at 4 ohms; 300W at 8 ohms) features a tube preamp that will break up just the way you want it to, and a newly designed limiter that produces glorious distortion instead of cramping your style. The simple 4-band EQ gives you all you need to access a wide range of sounds for any genre. As far as controls, the Gain knob is for the amount of tube overdrive, whereas the Master knob is for your volume.
 
Little Mark Tube 500W solid state/tube Head
The Little Mark Tube gives the warmth and richness of a tube preamp, or the clean attack of a solid state preamp… or a mix of both! Additional features include solid-state/tube mix control, four bands of equalization, VLE and VPF filters, line out level control, pre-post EQ switch for the XLR out (on rear panel), and mute control (push-pull on the master knob).
 
TTE 500 500W tube Head
"Modern Vintage" may seem to be an oxymoron, but it sums up the unique new TTE 500 well. Current technology is brought together with classic tone concepts in a head that looks and sounds vintage—but features some special adaptations of the innovations that put the Markbass on the map! The classic sound comes from an old-style tube preamp, a tube compressor, a simple 3-band passive EQ section, a "Colour" filter (a tube adaptation of the famous Markbass VLE control), and an innovative Tube Technology Emulator power amp.
 
MoMark with T1M-HE preamp, EQ7G tone control and MVVL-HE master control
The awesome high-end components and gold-plated circuits of the T1M-HE tube preamp module give it an exceptional sound fidelity. Its tube glorifies the harmonics, reproducing every detail of the instrument's tone with exceptional definition, offering tube warmth without distortion. This module also features a handy mute switch.
The stylish Eq7G module features seven bands of graphic equalization, set at 40 Hz, 80 Hz, 250 Hz, 400 Hz, 1 kHz, 2 kHz, and 4 kHz. Illuminated by yellow LEDs, this graphic EQ allows you to "see" your tone shaping on any dark stage!
This high-end MoMark module features master volume control, the trademark Markbass VLE and VPF filters, and Line Out level control. Gold-plated circuitry and the highest level of components make the MVVL-HE the master module of choice for discriminating "audiophile" bassists. This module completes the "high end" set of MoMark modules, along with the T1MHE and S1M-HE preamp modules and the EQ44S-HE EQ module.
 
Apple System Compatibility
Mark Studio 2 is available as AudioUnit, VST plugins, RTAS (ProTools 8 and 9) and AAX64 (ProTools 10 and 11), as well as a standalone application.
Both 32bit and 64bit are natively supported.
You can authorize Mark Studio 2 on up to three computers that you own and one USB stick with a simple one-click software procedure (no hardware key needed).
 
Apple System Requirements
Macintosh® Intel Core Duo ® 1.6GHz with 2Gb of RAM, 1280x800 video.
Mac OS X 10.6 Snow Leopard and above are supported.
 
Windows System Compatibility
Mark Studio 2 is available as VST, RTAS (ProTools 8 and 9) and AAX64 (ProTools 10 and 11) plugins, as well as a standalone application.
32bit and 64bit are natively supported.
You can authorize Mark Studio 2 on up to three computers that you own and one USB stick with a simple one-click software procedure (no hardware key needed).
 
Windows System Requirements
Pentium® iV 2GHz / Athlon™XP 2GHz with 2Gb of RAM, 1280x800 video.
Windows XP, Windows Vista, Windows 7 and Windows 8 are supported.
Overloud.TH2
Imagine you have a tool to express your talent with the best tone ever. Imagine people listening to your guitar tracks and saying "wow! how did you get that killer tone?!"
Imagine you have more than 160 models including Randall®, THD® and Brunetti® amplifiers. And that these, for the first time in software form, cannot be distinguished from the real ones. That's Overloud TH2.
 
Key Features :
-Randall®, Brunetti® and THD® authorized modeling, with models approved by original manufacturers 
-45 amplifier channels with 125 operating modes
-4th generation analog emulation technology
-3D, gapless positioning of microphones
-Advanced cabinet emulations with ReSPiRe 2 technology
-SLR technology allows morphing between two amplifiers
-Advanced preset management
-Easy to build or modify your own signal path
-Revolutionary GUI, host or MIDI real-time control via Smart Controls
 
Sound
-4th generation tube and analog emulation engine 
-EXCLUSIVE - SLR technology morphs between amps for an infinite sound canvas
-EXCLUSIVE - 3D gapless positioning of microphones in front of cabinets
-EXCLUSIVE - Cabinets feature ReSPiRe 2 technology, with back and angled microphones
-EXCLUSIVE - VariFire, a gain-character control for expanded distortion color control
-BREVERB and SprigAge basedreverb effects
-Global sound-influencing controls
-Easy and intelligent stereo handling: true stereo in to out capabilities
 
Ease Of Use
-Easy to understand and modify signal path 
-In-line high quality Tuner
-Compact view Live mode
-Advanced memory management
-16 Factory Banks with 135 Sound presets and 634 Variations within those
 
Control
-Easy to configure, full MIDI Program and Bank Change control 
-Smart Controls open up new, convenient ways of controlling and tweaking your sounds without getting in the way of creativity
-MIDI control of Smart Controls and presets
 
And More...
-Very low CPU usage 
-Plug-in or Standalone mode
-45 amplifier Channels and 125 operating Modes
-29 Cabinets
-18 Microphones: you have your choice of Dynamic, Ribbon, and Condenser microphones, with up to four microphones for each cabinet!
-Studio Ambience reverb can be added in proportion to the distance of the microphone from the speakers
-70 stomp boxes, pedals and rack effects
-Parameters can be synchronized to the host tempo, internal BPM with any time division or millisecond
-Local and Global Tap buttons
 
TH2 New Features
Overview
-Authorized modeling of Randall®, THD® and Brunetti® amplifiers, cabinets and pedals 
-25 new amplifier channel models, 8 new cabinets, 5 new effect modules
-Spring reverb module with SpringAge-powered technology
-Improved DSP engine that responds with a more dynamic simulation of the amplifiers
-New cabinet module with ReSPiRe 2 technology, rear microphone, 45 deg microphone, mixer, and improved sound quality
-Faster preset loading and browsing time
-Renewed graphic interface for more efficient access to settings
 
 
Model List
You can find all the new models available into TH2 in the list below:
 Amplifiers   
Randall T2 -Three channel authorized modeling of the Randall T2 head. This model prodices produces an extremely powerful, punishing tone,- powered by the "Valve-Dynamic" technology.
Randall MrScary -Authorized modeling of the George Lynch signature Randall MTS® module.
Randall Threadplate- Authorized modeling of the Randall Threadplate MTS module into the Lynch Box head.
Randall TopBoost- Authorized modeling of the Randall AC plusMTS® module into the Lynch Box head.
Randall SuperV- Authorized modeling of the Randall Super V MTS® module into the Lynch Box head.
Randall Grail- Authorized modeling of the Randall Grail MTS® module into the Lynch Box head.
Randall Plexi -Authorized modeling of the Randall Plexi MTS® module into the Lynch Box head.
Randall Tweed- Authorized modeling of the Randall Tweed MTS® module into the Lynch Box head.
Randall XTC -Authorized modeling of the Randall XTC MTS® module into the Lynch Box head.
Randall Ultra- Authorized modeling of the Randall Ultra MTS® module into the Lynch Box head.
Randall Ultra XL -Authorized modeling of the Randall Ultra XL MTS® module into the Lynch Box head.
Randall Clean- Authorized modeling of the Randall Clean MTS® module into the Lynch Box head.
Randall BlackFace -Authorized modeling of the Randall BlackFace MTS® module into the Lynch Box head.
Randall SL+---Randall SL+
THD Univalve- Authorized modeling of the THD Univalve® Single-Ended Class A amplifier.
THD Flexi 50- Authorized modeling of the THD Flexi® 50W class AB head.
Tumble ODS- 2 channels model of a special Overdrive amp made in Los Angeles in the '70s
Brunetti R-evo- Authorized modeling of the Brunetti R-evo® head, the evolution of the XL masterpiece.
Brunetti Mercury- Authorized modeling of the Brunetti Mercury head, giving you that elegant and evasive liquid metal sound.
High Wattage -Model of a Custom 100W amp made in England back in the 1974.
Saint Amp -Emulates a classic amp+cab in a pedal.
   
 Cabinets
1x12 Bluelux (US)
Brunetti® 1x12
Randall® 2x12 CB
Brunetti® 2x12
Randall® 4x12 XL
Randall® 4x12 XLT 100
Randall® 4x12 LB George Lynch
Brunetti® 4x12 Custom
   
 Stompboxes
SDriveOne -The classic, japanese, yellow overdrive pedal
Taxi Drive- Authorized modeling of the Brunetti TaxiDrive® overdrive pedal
Mercury Box -Authorized modeling of the Brunetti Mercury Box® distortion pedal
Looper-  A powerful, easy to use, loop machine with long sampling time up to 10 minutes, helpful guide click and loop quantize functions
 
 Reverb
Spring Reverb -Model of a classic spring reverb used in american amplifiers, powered by SpringAge technology
   
 Cabinet
Cabinet -Based on ReSPiRe 2 technology, quad mic mixer, with rear and 45° mics
REmatrix Overview
The professional solution for demanding engineers 
REmatrix features five individual convolvers and an effect chain working together to create complex and unique spaces that cannot be obtained with any other tool.
REmatrix is a professional solution for engineers looking for:
-the most impressive reverb ever created by a plugin 
-a streamlined workflow: go from the idea to the final tone in a few clicks
-a huge factory library created by one of the world-leading sound designers, MoReVoX, specifically designed and supported by an extensive preset list
-a proprietary technology to add liveliness and richness to the static nature of convolvers
 
Why REmatrix
Impulse Response [IR] reverbs are great when you need to replicate a sampled space; however the typical IR offers only simplistic adjustments and does not allow more creative changes to the nature of the generated ambience.
What if you need that greater level of control? What if you want to more fundamentally change an underlying element originally captured inside the impulse response?
 
REmatrix is the answer
REmatrix combines five convolvers working simultaneously and in parallel without any phase issue. You can build your own IR by summing five separate IRs, offering an all new level of customizability inside the reverb. Each of the five IRs can be adjusted using multiple parameters while additional filters offer further tonal control. Furthermore, REmatrix has six Master Effects to refine the reverb's sound and fit the needs of your final mix.
REmatrix combines the best of convolution reverbs along with unprecedented levels of flexibility.  
Whether you use the high quality factory library (based on the well-known MoReVoX libraries) or your own custom libraries, REmatrix lets you approach reverb with a brand new perspective and create both unique and unparalleled textures.
 
Features at a glance
-Multi-layer convolution with five IR matrix 
-Master section with Algorithmic Reverb, Delay, Modulation, Drive, Compressor and EQ effects
-250 IRs included
-400 presets categorized by instrument, genre and application, each created during real mix sessions
-Seamless processing: The reverb is never interrupted when adjusting parameters and changing IRs
-Factory IRs can have their durations shortened or lengthened
-User IR can be imported
-Full control over EQ, length, delay, and stereo field of any single IR
-Fully automatable
-Extremely low CPU usage
-Zero Latency
 
REmatrix Features:
Unlimited tonal flavors 
The fastest way to use REmatrix is by starting with the provided presets and customizing them by balancing the IRs to fit your needs through the five main faders. 
Create presets with REmatrix is easy and, through a new perspective, it brings you to a new level of control: for example, start with one of the HALL IRs. Make it more interesting by adding a narrower ROOM IR to improve the stability in the mono part, Then add a PLATE IR with a slightly enlarged stereophony to add a pleasant and musical wide-decay. By taking that same preset and adding an EARLY IR we can add greater incisiveness, as well as adding a SPECIAL IR can give an unprecedented three-dimensional character to the final reverb.
 
Master effects section
Once the desired balance of IRs has been reached you can inject additional life to the five static convolvers by using the modulation (MOD) control. Add more character through the DRIVE and compression (COMP) effects and replicate what happens during a mix session when the room mics get compressed. 
The algorithmic reverb (REV), based on the well-known Overloud BREVERB 2 algorithms, is an indispensable tool to ensure the tails always remain natural and musical, even when using extreme settings. The reverb, then, should generally be used to integrate the convolvers tgoether.
The DELAY, like the REV, is applied to the sum of the IRs. They're the ideal tools to create an abundance of space and greatly expand the tonal possibilities and usability of REmatrix. REmatrix puts no limits on your creativity, and it is so intuitive to use it actually reduces the learning curve to zero.
 
Full control over each IR property
Each one of the five IRs can be fully customized using the Extended Controls. 
There are two fully Parametric Equalizers, EQ1 and EQ2. Then there is the PAN control for stereo positioning and the STEREO control to adjust overall width of the soundstage.
Next the LENGTH control adjusts the duration of the IR. (Note that the IRs of the REmatrix libraries can be either shortened or lengthened. This ability makes the use of REmatrix both very flexible and very quick). At the bottom of the panel is the DELAY control which can insert a delay before the initial processing of the IR. Using the delay you can adjust the response times of the loaded IRs and manipulate the combination of sounds that make up this new simulated environment.
 
REmatrix Compatibility:
Apple System Compatibility
REmatrix is available as AudioUnit, RTAS (Pro Tools up to 9), AAX64 (Pro Tools 10 and 11) and VST plugins, as well as a standalone application.
Both 32bit and 64bit are natively supported.
You can authorize REmatrix on up to three computers that you own and one USB stick with a simple one-click software procedure (no hardware key needed).
 
Apple System Requirements
Macintosh® Intel Core Duo® 1.5GHz with 1Gb of RAM, 1024x768 screen.
Mac OS X 10.6 Snow Leopard and above are supported.
 
Windows System Requirements
Pentium® IV 1.5GHz / Athlon™XP 1.5GHz with 1Gb of RAM, 1024x768 screen.
Windows® XP, Windows® Vista, Windows® 7 and Windows® 8 are supported.
 
Windows System Compatibility
REmatrix is available as VST, RTAS (Pro Tools up to 9) and AAX64 (Pro Tools 10 and 11) plugins, as well as a standalone application.
32bit and 64bit are natively supported.
You can authorize REmatrix on up to three computers that you own and one USB stick with a simple one-click software procedure (no hardware key needed).
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